DAILY CHRONICLES COLLECTION
Explore artworks. Inspired in internal reflections, dreams, past, future, and universal connection.
Life-challenging moments in August 2024 led me to a canvas covered with the remaining acrylic paint from another piece. I saw a hidden possibility in those colors.
I began painting a woman in a vibrant red dress, continuing the work to understand where the piece was taking me. I didn’t know then that I was painting my mother. By October of that same year, I was going through a very difficult time because my mother had passed away on the day of the Red Full Moon.
The last image we shared was a full red moon. This painting represents her connection to transcendental love, surrounded by our beloved dogs in heaven. She has given us her blessing every day, reminding us that we are never alone. We trust that she is at peace, wearing the dress she loves so much.
God bless you, Mom. Fly everywhere. You are finally the owner of your destiny.
On September 7, 2025, I was struck by a sudden inspiration at midnight. I picked up a blue oil pastel and began to paint a trunk across the canvas. Days later, we learned that my uncle was facing a serious medical challenge within his own spinal cord. Throughout the difficult days that followed, his courage motivated our entire family, and I continued to paint as a form of intercession.
This piece is a testament to the magnificent healing power of art. It incorporates the golden sun and the waters of Lake Maracaibo—the lifeblood of our home city. The deep reds and blue circles throughout the composition symbolize our shared bloodline and the resilience of our family. Our connection with Jesus and the Virgin Mary (La Chinita de Maracaibo) is part of cultural DNA; both are important parts of the faith and prayers for healing, and both are in the painting.
As the painting neared completion, I initially saw a figure receiving water as a blessing. But in the final days, the image of a Capuchin Friar emerged with undeniable clarity. It was Padre Pio of Pietrelcina. A Franciscan mystic known for his devotion, his stigmata, and his miraculous gifts of bilocation and healing, he appeared on the canvas just as he has appeared in the lives of so many seeking a miracle.
My uncle passed away on March 18, 2026, Virgin Mary Celebration day. God with us.
Intergalactic Communities
Date: April 2026
Exhibition: 2nd Annual Community Art Show within Wander/Walk, Schaumburg, IL. USA.
In the random lines of acrylic on canvas, I found a base to visualize and discover stories waiting to be told. From these strokes, a society emerges without filters or standard expectations. It is a world where inclusion and mutual learning are always present.
Is anything truly imperfect? Or is everything perfect simply because it is different and never boring?
Dimensional beings arrive to understand us, but we also travel to meet them—to discover how they live, walk, and communicate.
To observe them is more than a researcher’s task; it is to feel and stay immersed in their way of life. Thank you for emerging into our world through the medium of art.
The Mirror Eyes of My Grandmother Ana
Date: July 2025
Dimensions: W: 16″ H: 20″
Medium: Oil Pastels on canvas
In my childhood, I spent countless hours at my grandmother’s house in Maracaibo. Since her passing in 2022. My most vivid memory is of her sitting in her striped, folding director’s chair, always telling me about this specific painting.
Though the people we love may no longer be with us physically, I know they remain by our side. This piece is inspired by the thousands of hours her eyes spent contemplating this image. I have brought her wall into my own home, and now I can see exactly what she was watching.
The original painting was a print she received from her friends, the nuns. It was a reproduction of Bartolomé Esteban Murillo’s “The Young Fruit Seller” (1670–1675).
Well, Grandma, the cells of you that live on in me are happy now. We can contemplate this painting together once again. God bless you.
Navigates the complex intersection of identity, labor, and lineage. The composition serves as a profound site of recognition—not only for her rigorous journey as a scholar and educator but as a testament to the persistent spirit of the worker and the fundamental essence of being human.
Central to the work is a striking duality of form: the flowers, rendered with a vibrant yet delicate touch, symbolize the inherent fragility of the human condition, while the hat emerges as a structural anchor, representing a resilient and deeply grounded spiritual soul.
By weaving together her personal narrative with a broader homage to her family and ancestors, transforms the canvas into a sacred space of gratitude. The piece stands as a sophisticated exploration of Gestalt principles, where the individual elements of struggle and triumph merge into a singular, empowering vision of self-reclamation.
A visual symphony where the celestial and the subterranean converge in a singular, vibrating consciousness. The piece expresses the vastness of the night—studded with planets and stars—finds its mirror in the volatile heat of the terrestrial volcano and the fleeting brilliance of the rainbow.
Treats the universe not as a collection of objects, but as a web of transmission, where life, death, and rebirth communicate through a multi-sensory language of sound, vibration, and profound silence. From the crushing depths of the oceans to the planet’s molten core, the composition traces the invisible threads that bind all matter and invites us to witness the perpetual cycle of energy that defines our existence.
© Artists Rights Society (ARS), New York